Alony began his artistic career in bronze, as an apprentice to the renowned Uri Katzenstein, but then focused on other materials that gave him more flexibility as a young artist. Read More
Twenty years later, he found himself drawn again to the material that began his artistic journey. “When Pasal contacted me, the material felt very right. It awakened a kind of nostalgia and a deep curiosity within me. When you have a question mark, it makes you want to investigate, and I’m interested in investigating what I can do with bronze, how I can work with the material, with the foundry,” says Alony. “We think of bronze as massive, but bronze is a type of shell of the object itself, and I wanted to focus on that aspect of it in this project.”The focus on the shell-like quality of bronze led him to choose works like masks for this collection. “Masks are another layer of the body. I’m looking to give the observer that understanding—even when an object is made of something massive, like bronze, it is still a shell.”